It's quiet around here in the afterglow of Christmas. The
seed packages are all already in hand and organized in a plastic box. I've made
preliminary contact with the compost/potting mix purveyor in Wisconsin to
anticipate my order for the greenhouse, and even the chicken supplies -- treats
of various descriptions and feed -- are reorganized into galvanized pails to
better functionalize them through the winter. The dogs -- never over-taxed with
activity save that of their own making -- have been spending willing but
languid hours beneath the tree and near the stairs; hopeful but not optimistic
about imminent excitement. Even the chickens have been calling it a day at the
first sign of dusk. And as for the two of us, the fireplace flames, the nearby
Christmas tree, and the adjacent sofas pretty well circumscribe our world. We
read there, we catch up on social media there, we dream and process there and
occasionally nap there; we even eat there after brief forays into the kitchen.
Even the holiday music emanating from the stereo is less jovial and jaunty,
having almost spontaneously recognized the time for something quieter and more
soulful.
I'm a tragic sentimentalist, tearing up at the least
provocation, which means these days stuffed full of remembering and savoring
are labored through with a chronic lump in my throat. Good stuff, but no one
confuses me with the life of any party. Already I can smell the approach of box
time for the decorations -- my least favorite day of the year.
Perhaps that's why I drifted over to the barn late in the
afternoon, ostensibly to play through a new song on the piano still resting
dormant there since the party earlier in the month. I had help carrying it up
from the basement and across the driveway, but I didn't have the heart to ask
guests to stay after and lug it back. So there it remains beside the Christmas
tree, the nativity scene and the lighted paper star, in front of the tractor,
the brush mower, the wood chipper and pickup. It's not your usual assortment,
but ours isn't a typical barn. I plugged in the star, the nativity light and
the Christmas tree, plus a few other decorations, and with a satisfied smile
wedged my way onto the piano bench and warmed up with a few favorite holiday
songs. The season isn't really complete without a run through “White Christmas”, “Count Your Blessings Instead of Sheep” and “Sweet Little Jesus Boy” and until this afternoon I hadn't had -- or
taken -- the time. Satisfied -- or perhaps sated -- I spread out the pages of
the new song.
It's actually an old one that I heard for the first time
watching an old Andy Williams Christmas Special from 1966 on YouTube several
days ago (I already acknowledged my sentimentality. See above.). Perry Como, it
turns out, also included it on a Christmas album once upon a time, and various
others have recorded it along the way, but it originated in the 1956 Broadway
musical adaptation of the comic strip Lil Abner, with lyrics by Johnny Mercer.
Since I, too, originated in 1956, I feel a double connection with the song. But
it's the words, themselves, that wrap their arms around me and hold me in their
embrace.
When my paternal grandparents left their home in Berclair,TX
where they had lived the entirety of their lives, raised three sons and
embraced daughters-in-law and grandchildren to move closer to family and
increasingly necessary extra care, they sold the house to a wealthy neighbor
who said she valued it because “it had always been a happy house.” I can't
think of a nicer compliment -- and it's one to which Lori and I have always
aspired: creating a home filled with joy, hospitality and welcome, and palpable
love.
It's an aspiration to which the song gives tender
expression...
You can tell when you open the door,
You can tell when there's love in a home.
Ev'ry picture you see seems to say,
Where you been, you been too long away?
The laughter rings and the tea kettle sings
Like the people who live in the room.
And the clock seems to chime come again anytime
You'll be welcome wherever you roam.
You can tell when there's love in a home.
I played it, best I could, and sang it, best I could through
the teary mist, and then sat there on the bench, in the glow of the
decorations.
For awhile.
For awhile.
Newly resolved, I switched off the tree, the nativity and
the rest, locked up the barn and returned across the driveway to the other
tree, the fireplace and the dogs, and that other set of eyes that never fail to
brighten my own; and gave thanks for the quiet evening, and the palpable
sense...
...of love.
In this home.