Carol King many years ago wrote the soundtrack for the
evening: “You've Got a Friend.” Which is good, because as it turned out I
needed one.
It was time to close up the chickens for the night -- dusk,
or a little after. Perhaps 15 minutes before I had checked out the window and
observed them still out and pecking about so I hadn't rushed. I hauled myself
into an overcoat, pulled on gloves, grabbed the spotlight to check all the
nooks and crannies and headed out.
I heard the commotion, but only in that vague,
scratching-at-the-edges-of-consciousness way that is muffled by more
preoccupying thoughts. My first real sign that something was amiss was bumping
into Sam the rooster up near the deck and heading for the front yard. Glancing
past him I saw the girls scurrying all around the coops, at least one on top,
full of agitation. And a blur near the fence, sprinting away. As I surveyed the
area with suddenly sharpened attentions I noticed first one still mound, and
then another. And then another. Three dead hens. Three of my precious favorites
I would later realize -- a Lavender Orpington, an Ameraucana and one of the
young Bantam Dark Brahmans.
"Did you see the foxes?" a voiced interrupted. So
lost in trying to assemble in my mind the reality of what had happened I hadn't
noticed my neighbor approach. “We saw two in our front yard moving this way.
Then we heard the commotion up here, and all the alpacas were out, looking this
way.”
He joined me in the chicken yard as we surveyed the carnage
and gathered up the remains. He stood watch as I secured the survivors and
commiserated alongside of me. “I'm so sorry,” he said softly. “I know how
attached you get to them. Do you need some help carrying them?”
“Oh, I can manage,” I started to respond, willing the sick
taste and emotions back down my throat -- and then remembered the truant
rooster. “But you could help me find the rooster and get him back inside.”
As it turned out, he hadn't gone far. We spotted him up near
the driveway beyond the front porch. But as Art and I eased behind him to
encourage him back toward his enclosure it became clear that he had no interest
in returning. Rattled and disoriented by his own particular PTSD, the closer we
maneuvered him to the chicken yard the more averse he became until the only
recourse was to wedge him between our crouching bodies long enough for me to
grab him and forcefully carry him inside -- further agitating him...as well as
me.
All the while Art stood nearby, sympathizing, opening doors
and securing gates and willingly serving as my compatriot in sadness. Together
we took one last walk and look around. Finally we snapped the gate closed
behind us and paused -- one last fragment of shared silence between us -- and
went our separate ways.
Lori and I keep reminding ourselves, whenever such sadnesses
occur, that "this is nature”. Though I suspect I will never adjust my soul
to the hard truth of it, the reality is that it’s not all pastoral serenity and
bucolic bliss out here a few miles remote from the madding crowds; more than
quietude and harvest and the daily simplicity of gathering eggs. Here in the
rawness of God’s order are pests and diseases in the garden and thieving birds
and squirrels in the orchard. There are moles tunneling through the yard, and
there are predators above and around the chicken yard attentively watching for
and eventually seizing their hungry opportunity. It's beautiful out here, and
serene, but it's also torn feathers and blood, rot and thorn.
Thankfully, in the midst of it all, there are also friends
who appear when you need one, who stand nearby pretending not to notice the
tears, who volunteer to help carry the carcasses and, from their own
experiences with this hard and natural order of things, understand.
“When you're down and troubled, and you need a helping
hand...” the lyrics spontaneously recalled, “...you've got a friend.”
I'm grateful, because I needed one. In more ways than one.
1 comment:
Holding you in the light, in the midst of all of the joys and sorrows of the farm.
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